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Retrieved December 30, 2010. It explores men's unwillingness to or commit.

Retrieved January 16, 2015. So in that respect, I have to take my hat off to them for doing it.



It explores men's unwillingness to or commit. In the song, the female protagonist is in a club to celebrate her single status. Several news media sources named it as one of the best songs of 2008, while some considered it one of the best songs of the decade. It topped the US chart for four non-consecutive weeks and has been by the RIAA. The song charted among the top ten within the singles category in several other countries. Globally, it was 2009's seventh best-selling digital single with 6. A black-and-white music video accompanied the single's release. It won several awards, including the at the. The song and particularly its music video have been widely parodied and imitated. Several notable artists have performed cover versions. Media usage has included placement in popular television shows. Beyoncé recorded the song in May 2008 at the Boom Boom Room Studio in , and it was by and , with assistance from Randy Urbanski and Andrew Wuepper. Beyoncé's marriage inspired Nash to compose a song about an issue that affected many people's relationships: the fear or unwillingness of men to commit. This reinforced the theme of the album, which was created by placing its and uptempo tracks on separate discs. The two songs were released as a single on November 7, 2008, in Australia, New Zealand, and Germany. Dance of the song were made available in the US on February 10, 2009, and in Europe on February 16, 2009. On February 16, 2009, it was released as a , and the dance remixes became available as a digital download. It is set in , and makes use of bounce-based , , an ascending in the background, and a punchy organic beat. The instrumentation includes a , a and spaced out that occasionally zoom in and out; one commentator, Sarah Liss of , noted that their arrangement surprisingly comes as light, instead of dense. According to the sheet music published at Musicnotes. Beyoncé's vocals range from the note of to. It has a of E in the verses, and Bdim—C—Bdim—Am in the. She displays much attitude in her voice, as stated by Nick Levine of. The lyrics reflect post-breakup situations. She reclaims her right to flirt, have fun, and find a lover who is more devoted than the previous one. Beyoncé goes out to celebrate with her friends in a club where she meets a new love interest. However, her former boyfriend is watching her, and she directs the song to him. In the second verse, Beyoncé tells her ex-lover that, as he did not attempt to make things more permanent when he had the chance, he has no reason to complain now that she has found someone else. When she chants the chorus for the third and final time, her vocals are omnipresent within layers of music, as described by Frannie Kelley of. An electronic swoop tugs in continuously until the song ends. Andy Kellman of Allmusic and Jessica Suarez of magazine noted the song as one of the standouts from I Am... It's epic and sexy and even a bit sad. Douglas Wolf of the same publication placed it at number nine on his list of the All-Time 100 Songs. Additionally, the Maurice Joshua Club Mix of the song was ranked at number 443 on the 2008 list. The video had the whole world dancing and waving along via YouTube. On December 6, 2008, it moved from number 28 to number two on the Hot 100 chart, as a result of its debut at number one on the chart, selling 204,000 digital downloads. The song became Beyoncé's fifth solo single to top the Hot Digital Songs chart. It tied her with and at number six on the list of female artists with the most Hot 100 number one hits, as of 2010. For the week ending January 15, 2009, the song moved to number one on the chart with 147. It reached number one on the chart, where it remained for twelve consecutive weeks. The song has been quadruple-platinum by the RIAA for sales of over 4,000,000 copies. It passed the 5 million sales mark in October 2012. On January 24, 2009, its ninth charting week, it moved to its peak spot at number two, and was subsequently certified double-platinum by the CRIA for sales of over 160,000 copies. The song peaked at number seven, and spent 112 weeks on the UK Singles Chart. As of November 2013, it has sold 704,000 copies in the UK. On the , it reached number four and enjoyed twenty weeks of charting, while on the chart it made its way to number 25. In Australia, the single attained a high point of number five on the , and received a five-times platinum certification from the ARIA for sales of over 350,000 copies. It peaked at number two on the , and was certified platinum by the RIANZ for shipment of over 15,000 copies. It reached the top 10 in the Netherlands, Italy and Spain, and the top 40 in both Belgian territories Flanders and Wallonia , as well as in Hungary, Norway, Sweden and Switzerland. The two music videos premiered on 's show on October 13, 2008 to reinforce the concept of conflicting personalities. The videos were released to other media outlets on the same date and subsequently included on Beyoncé's remix album with videography, , and the platinum edition of I Am... And I said, 'This is genius. So it was a strange mixture... It's like the most urban choreography, mixed with Fosse—very modern and very vintage. Beyoncé wanted a simple music video; it was filmed with minimal alternative camera shots and cuts, and no changes to hairstyles, costumes and sets. The day the video was shot, the song was divided into three parts. The styling was inspired by a photo shoot. In the video Beyoncé wears a roboglove designed by her long-time jeweler, , to complement her alter ego Sasha Fierce. The glove consists of several pieces, including a ring and a separate component that covers Beyoncé's upper arm. She first wore the roboglove on the red carpet at the on November 8, 2008. The video shoot took around twelve hours. Many performances of the song were filmed without interruption, and edited together to give the impression that the final video was filmed in a single. It shows her in an asymmetrical and high-heels, with two backup dancers, Ebony Williams and. Beyoncé's mother, , designed the high-cut leotards after seeing something similar in the American and. The dance routine incorporates many styles, including , , and , and is credited with popularizing , a flamboyant dance style prominent in many African American gay clubs across Atlanta and used by the all-female dance troupe of. The video features Beyoncé and her two companions dancing inside an , which alternates between black and white and places the focus on the complex choreography. Throughout the video the women click their heels and shake their hips and legs. However, the main intention is to attract the viewers' attention toward their hands and ring fingers as they do the hand-twirl move. At one point during the video, the dancers run up to a wall, which, according to Frank Gatson Jr. Toward the end of the video, Beyoncé flashes her own wedding ring on her finger. It spawned a and inspired thousands of imitations all over the world, many of which were posted on. In an interview with Chandler Levack for Eye Weekly, Toronto director Scott Cudmore stated that the Internet age has impacted the way music videos are made, as well as perceived by an audience. The music video has won several awards and accolades. It was voted Best Dance Routine in the 2008 Readers' Poll; and won becoming the first black and white music video since 's , , and at the. The song also won Best Video at the 2009 , the 2009 , and the 2009 BET Awards. The video was ranked at number four on BET's Notarized: Top 100 Videos of 2008 countdown, and at number three on VH1's Top 40 Videos of 2009. It was voted best music video of the 2000s decade by fans of the music website and fifth-best of the decade by readers of Billboard magazine. In 2013, John Boone and Jennifer Cady of E! Beyoncé doesn't need anything but an empty room in this one. It's all about the dancing. It's all about the leotard. It's all about the fierceness. The music video was certified platinum by CRIA for shipment of sales 10,000 units. Footage of Beyoncé in the audience looking shocked was then shown. That night, Beyoncé was featured in a parody of the song's music video, where the two female backup dancers from the video were replaced by pop singer and SNL cast members and. In a poll conducted by Billboard magazine, the performance was ranked as the seventh best in the history of. The song was subsequently included on Beyoncé's live albums 2009 and 2010. In May, 2012, Beyoncé performed the song during her revue at , a hotel. On February 3, 2013, Beyoncé performed the song along with her former bandmates from Destiny's Child during the. The song was added to the set list of her 2013. The music video achieved fame for its intricate choreography and its deployment of with a wrist twist. Billy Johnson of Yahoo! In a radio interview on NPR's , Knight shared his excitement that the popular video made people want to learn to dance. Fans aged eighteen and older were invited to adhere precisely to the dance routine performed by Beyoncé and her two dancers in the original production. The winning video was included in her live album, I Am... She was initially reluctant to participate in the segment but agreed to after a visit from Timberlake in her dressing room. Beyoncé's choreographer, Frank Gatson Jr. So in that respect, I have to take my hat off to them for doing it. In London, one hundred dancers wearing leotards similar to the one worn by Beyoncé performed the choreography on April 20, 2009, to promote gum. They were later joined onstage by their male newsreader colleagues , , , and before taking on Diversity, winners of the third series of , in a dance-off. They performed the choreography to raise funds for the UK campaign,. The music video inspired a legion of amateur imitators to post videos of themselves performing the choreography on YouTube. One of the most viewed is that of Shane Mercado, who appeared on in bikini bottoms to perform the choreography. His subsequent meeting with Beyoncé became a media event. Beyoncé has acknowledged the popularity of the videos on YouTube; during her concert tour, excerpts from many of the YouTube videos were played in the background while Beyoncé was performing the song. Cubby, who is an on-air personality for 's , based his parody on the SNL one. His video lead to a meet and greet with Beyoncé and eventually, an opportunity to join her on stage at a show stop in during her I Am... A video showing Cory Elliott, a baby boy from New Zealand, performing the dance while watching Beyoncé on television, gained significant coverage from several media outlets. He also briefly performed the hand-twirl move from the song's video at the. Several other well-known personalities, including American environmentalist and politician and American actor , have performed the dance. Wearing a black leotard and gold glove, performed the choreography with two backup female dancers for the final of 's to raise money for the charity on March 12, 2010. If you like the choir, then won't you come and sing in it. In April 2013, YouTube phenomenon did the dance routine during a concert in Seoul while wearing a red leotard and red boots. A television advert for the South African cellular service , used the song as a backdrop to an actor who was humorously mimicking 's dancing, the advert quickly went viral and spawed several different variations. The song has been included in many television shows, including , , and in two episodes in. In other media, issue 33 of comic book series features a scene in which , , and sing a karaoke version of the song while at a club. It was produced by at the end of 2008. The song appears in the film. The song will be featured in the 2016 rhythm game. Cover versions Singers and bands of various genres have covered the song in their own style. Scottish band performed a cover version in April 2009 on 's show. In October 2009, it was released on , a compilation of Live Lounge recordings. Australian singer sang a jazzier version of the song on the of in October 2009. It was also covered by and British singer-songwriter. He performed the hand movements that Beyoncé and her dancers do in the song's video. The piece premiered at the on August 27, 2010. 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Daily Mail and General Trust. It's all about the dancing. On El 16, 2009, it was released as aand the dance remixes became available as a digital download. Retrieved January 7, 2011. Retrieved March 22, 2011. Retrieved December 15, 2010.